Completely agree, how do you know so much Crazy Eight?ThePhantomTerror wrote:Mason01 wrote:I love it when Crazy Eight goes of technical on us.When he does these things, it will be some of the most informative posts on NolanFans.solo2001 wrote:Sometimes i'll actually read Crazy's rambling posts to educate myself.
THANK YOU WALLY!!!!
I have no idea.Andrea wrote:Completely agree, how do you know so much Crazy Eight?ThePhantomTerror wrote:
When he does these things, it will be some of the most informative posts on NolanFans.
I've had an interest in it for years... and have done a lot of research on the subject and have personal experience with DSLR's which help one to learn first hand about things like exposure, shutter rates, lenses, etc... and the rest I know from a shit load of research fueled by an interest... that and Roman M. always puts me in my place when I flub up.
Why do you say that? The vast majority of digital cameras being used for high budget productions today have full 35mm sensors...and they allow less in the frame -#1fan
I really can't tell the difference from film to digital. I don't really care
Collateral's use of digitals is genius to say the least. I like how Mann used close ups on that film to capture the tone of the location and the characters with digital - that's how it should be used.
Agreed! I thought I was the only one who noticed thatchristophmac wrote:Collateral's use of digitals is genius to say the least. I like how Mann used close ups on that film to capture the tone of the location and the characters with digital - that's how it should be used.
What does composition, close up composition, have to do with it being captured digitally?christophmac wrote:I like how Mann used close ups on that film to capture the tone of the location and the characters with digital - that's how it should be used.
It gives it a different look and feel in terms of capturing colours and sharpness which worked well with the film. Obviously that's not entirely because of the digital format but it helps.Crazy Eight wrote:What does composition, close up composition, have to do with it being captured digitally?christophmac wrote:I like how Mann used close ups on that film to capture the tone of the location and the characters with digital - that's how it should be used.
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50 minutes of TDKR in fucking IMAX!!!!!
THANK YOU WALLY. YOU ARE AMAZING
THANK YOU WALLY. YOU ARE AMAZING
Thank you Wally. In the biggest IMAX screen in Europe this will blow me away.
Nolan4Life wrote:50 minutes of TDKR in fucking IMAX!!!!!
THANK YOU WALLY. YOU ARE AMAZING
Wow, that's a fair chunk of the film. Thank Wally indeed.
Do you... like pineapple?