Interstellar Releases in Digital HD and Blu-ray March 2015

interstellar-posters

Christopher Nolan’s Interstellar has been announced for release on Blu-ray and Digital HD this March. The Blu-ray will come in a Standard Edition with just the feature film, as well as a Combo Pack which will come with an Authentic IMAX Film Cell, and will include a series of bonus features. The film will be released in Digital HD two weeks earlier on March 17th, with the Blu-ray (and DVD) release coming later on March 31st. Bonus features on the Combo Pack Blu-ray will include:

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by Teddy Blass
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Interstellar Nominated for 5 Academy Awards, Including Best Original Score

story-interstellar-oscars

This morning the 87th Academy Awards Nominations were announced, and including nominations for Christopher Nolan’s Interstellar in five categories: Best Original Score, Best Production Design, Best Sound Editing, Best Sound Mixing, Best Visual Effects. The film was not nominated for any major awards like Best Picture or Best Directing, and there were no nominations for any of the wonderful performances in the film.

Composer Hans Zimmer has one of the best chances of his career since his win nearly 20 years ago for The Lion King. He posted a note of gratitude on Facebook after being nominated this morning; you can read that here. The film also holds a strong chance of taking away the other categories it was nominated for, despite controversy over the sound in the film. How do you feel about the nominations this year?

by Teddy Blass
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THR Invites Emma Thomas to the Producer Roundtable 2014

producers-roundtable

Christopher Nolan’s wife and co-producer, Emma Thomas, represented Interstellar at The Hollywood Reporter’s annual Producer Roundtable. She is joined by fellow filmmakers: Peter Chernin (Exodus: Gods and Kings/St. Vincent/Dawn of the Planet of the Apes), Eric Fellner (The Theory of Everything), John Lesher (Birdman/Fury), Marc Platt (Into the Woods), and Cathleen Sutherland (Boyhood). Their discussion gives some insight of risks and concerns of any production, even before the first scene is shot. Chaired by Stephen Galloway.

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by Kelly Williams
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