hotsauce32 wrote:After several viewings, I still I can't tell what Murph's first line is, in her and Cooper's goodbye scene. Right after Coop says "We have to fix this before I go". All I can hear from Murph is "How ___ ____ ____ _____ have to stay"

Anyone know what the full line is?

sickofsickness wrote:

GeneMod wrote:Ok, so, I've seen the film twice now, and I think I have an interpretation that hasn't been pointed out yet (I could also just be a complete fucking idiot when it comes to using the internet, idk). It is my opinion that Interstellar is about the power of unity (not the game development program, the idea). I have several examples to further this point:
Brand's character: Here we have a Scientist who is following her emotions. These two things do not usually abide side by side, yet here they are. Science and emotion, the rational and the irrational. It is the unification of these two conflicting ideals that leads Brand to Edmund's world, which turns out to be habitable.
The Unification of Religion and Science: There is a consistent "motif," if you will, of religious symbolism throughout Interstellar. Take for example, the Church Organ based score, the mention of Lazarus, the 12 Apostles story retold and even some of the imagery

When Coop is floating in the bulk and he sees the Endurance and reaches out to touch Brand's hand. In my opinion, this scene mirrors the famous painting by Michelangelo regarding the creation of Man (with the two finger tips touching)

. We have all this set against a hard-science story.
The Unification of Quantum Physics and General Relativity: This is the equation they have to solve for Plan A to work. And hey, guess what? They do. Now we

can control gravity! Yay!

The final example I'm going to give is Dr. Brand Sr's speech about standing together and thinking as a species, not individuals. This is probably the most blatant example of this theme, and doesn't really require too much explaining.
I've probably missed a few, so do feel free to point stuff out.
Thanks for reading,
GeneMod

I like this. In fact after the credits there's a scene where the cast sings "Imagine", Magnolia-style where the singing is a soliloquy, each character in their own space. Brand on her planet, Cooper in the ranger, Murph on her bed. Talking about living as one. Even TARS and CASE comes out and joins in. That was my favorite part.

hasanahmad wrote:can someone explain how

MM character got recruited so quickly. it seems unnatural that he stepped into NASA and all a sudden he was their best pilot

Vader182 wrote:

hasanahmad wrote:can someone explain how

MM character got recruited so quickly. it seems unnatural that he stepped into NASA and all a sudden he was their best pilot

He wasn't the best pilot, he was their only pilot. It's an obvious plot contrivance.

-Vader

Cilogy wrote:is this the first time since 2002 we've heard "shit" and "fucking" in a Nolan film?

Bale Fan wrote:

Cilogy wrote:is this the first time since 2002 we've heard "shit" and "fucking" in a Nolan film?

If I'm not wrong there was one "shit" in TDK.

At least 5 hells, 2 asses, 2 damns, 1 S.O.B., 2 uses of "Jesus" and 1 use each of "G-damn," "God," "God-awful," "Oh Jesus," "Oh my God," "Sweet Jesus" and "Swear to God."