Ludwig Göransson will compose Tenet
Posts: 14
Joined:
May 2020
I can’t find it anywhere on youtube. Whats the name of the video?
Y’all. I can’t stop listening to the soundtrack.... Rainy Night in Tallinn, especially those notes that play when Protagonist is hurrying to grab the bombs *chef’s kiss* And of course, The Protagonist.....that ending man. Too good. Just too good. Is there an accordion in there or am I going nuts?
Of course I miss Hans and can’t help but wonder what he would’ve produced here, but I love this soundtrack. It fits the film perfectly in my opinion.
Of course I miss Hans and can’t help but wonder what he would’ve produced here, but I love this soundtrack. It fits the film perfectly in my opinion.
Posts: 1005
Joined:
December 2019
You talking about when he’s running to the coat check? Best part of the entire score, without a doubtAsianVersionOfET wrote: ↑September 19th, 2020, 10:05 pmY’all. I can’t stop listening to the soundtrack.... Rainy Night in Tallinn, especially those notes that play when Protagonist is hurrying to grab the bombs *chef’s kiss* And of course, The Protagonist.....that ending man. Too good. Just too good. Is there an accordion in there or am I going nuts?
Of course I miss Hans and can’t help but wonder what he would’ve produced here, but I love this soundtrack. It fits the film perfectly in my opinion.
Those are definitely two of the best ones. My go-to though is always Posterity, such an epic track. Then I always find myself having to listen to Inversion, Trucks in Place, Foils, From Mumbai to Amalfi, Freeport, Betrayal, Meeting Neil... so basically half the soundtrack lol.AsianVersionOfET wrote: ↑September 19th, 2020, 10:05 pmY’all. I can’t stop listening to the soundtrack.... Rainy Night in Tallinn, especially those notes that play when Protagonist is hurrying to grab the bombs *chef’s kiss* And of course, The Protagonist.....that ending man. Too good. Just too good. Is there an accordion in there or am I going nuts?
Of course I miss Hans and can’t help but wonder what he would’ve produced here, but I love this soundtrack. It fits the film perfectly in my opinion.
And KEM, I believe the part he's referring to is the siren-like noise that starts at like 6:08. After the coat check and the "Not our job"/"Mine now" scene, when he goes back out to collect the bombs and just before the guy puts the gun to his head. My favorite part of that track as well.
Posts: 1005
Joined:
December 2019
Ludwig just won the Emmy for Mando!!
@KEM and @Hustler YES. That is indeed the part. Fucking EARGASMIC.
OK disappointing is too strong of a word, but I'm not impressed for most of the parts. I love that he took raw, edgy Techno in some of the tracks. Especially at the mid point where a pivotal scene starts, I love how it starts with edgy techno beats and kicks, but overall it falls flat. I can't listen to that track alone by itself, in fact for most of the tracks that applies. Maybe if I wasn't a huge Techno and Trance listener and DJ, I wouldn't be so picky about it. Most of the tracks work for the scene while watching.Vader182 wrote: ↑September 8th, 2020, 2:08 amI'm not disappointed per se (I've had the OST on repeat as it's very much my shit in general, it's overall very great) but I do think Nolan tackling his most ambitious project with new collaborators in editing and scoring was a mistake.SINCEPTION wrote: ↑September 8th, 2020, 1:15 amIs it just me to be disappointed overall by the soundtrack? There are only two tracks that really impressed me.
Frankly, it exposes how much Nolan has relied on Zimmer and Lee Smith to help craft emotional through-lines and visual clarity in his movies for him, especially due to his ultra-loose two takes and check the gate shooting style.
-Vader