Insomniac wrote: ↑

July 24th, 2020, 11:48 am

https://vk.com/doc597271763_560466196?h ... b16483e1ac

I've only skimmed it, but it seems pretty generic.

intersteIIarx wrote: ↑

July 24th, 2020, 6:40 pm

Insomniac wrote: ↑

July 24th, 2020, 11:48 am

https://vk.com/doc597271763_560466196?h ... b16483e1ac

I've only skimmed it, but it seems pretty generic.

I’m going though translating it now. It’s funny that this publication has referred to Pattinson as a

“mysterious double agent”

Also like this segment:

“ Nolan's wife and film producer Emma Thomas was immediately struck by the strange way her husband's brain works. "An idea with him is only expressed if he finds a framework to tell it," she says. This was the case for Inception and Interstellar. With Tenet, it was even more painful, maybe ten years, it was a fixed idea. But once he's written his screenplay, he's got his movie in mind, so to speak, down to the frame. When it goes into the editing room, it's even more impressive. He keeps an intact track of every take for every scene. If you have to tell the difference between thirty takes, he will do it with disconcerting ease. "

Christopher Nolan needs a proven routine to manage his memory. He systematically puts his keys in the same pocket. And takes care to conscientiously note his ideas on a notepad. His dress code - a three-piece suit, a white or pale blue shirt, always without a tie -, worn indiscriminately all year round, rain or shine, is part of this meticulous routine. To let his mind wander with the greatest freedom, Nolan has endeavored to automate the material tasks and the most fundamental aspects of his life, like a sizeable equation that, when solved, does not need to be further reviewed.“

And potential allusion to the

clones theory

“he had developed a passion for physics and had been struck by the narrative biases on which some scientists relied. Albert Einstein, in particular, always worked intuitively, starting from a story. The physicist was thinking, for example, of twins. One takes the train, the other finds himself abandoned on the station platform. But they meet again a few years later. “Did they age the same way? Nolan wonders. There is a certain melancholy in the answer to such a question which perfectly illustrates the laws of quantum physics. " The cinema allowed him to find this melancholy, to affix sadness to the apparently mechanical world of science.

intersteIIarx wrote: ↑

July 24th, 2020, 6:40 pm

Insomniac wrote: ↑

July 24th, 2020, 11:48 am

https://vk.com/doc597271763_560466196?h ... b16483e1ac

I've only skimmed it, but it seems pretty generic.

I’m going though translating it now. It’s funny that this publication has referred to Pattinson as a

“mysterious double agent”

Also like this segment:

“ Nolan's wife and film producer Emma Thomas was immediately struck by the strange way her husband's brain works. "An idea with him is only expressed if he finds a framework to tell it," she says. This was the case for Inception and Interstellar. With Tenet, it was even more painful, maybe ten years, it was a fixed idea. But once he's written his screenplay, he's got his movie in mind, so to speak, down to the frame. When it goes into the editing room, it's even more impressive. He keeps an intact track of every take for every scene. If you have to tell the difference between thirty takes, he will do it with disconcerting ease. "

Christopher Nolan needs a proven routine to manage his memory. He systematically puts his keys in the same pocket. And takes care to conscientiously note his ideas on a notepad. His dress code - a three-piece suit, a white or pale blue shirt, always without a tie -, worn indiscriminately all year round, rain or shine, is part of this meticulous routine. To let his mind wander with the greatest freedom, Nolan has endeavored to automate the material tasks and the most fundamental aspects of his life, like a sizeable equation that, when solved, does not need to be further reviewed.“

And potential allusion to the

clones theory

“he had developed a passion for physics and had been struck by the narrative biases on which some scientists relied. Albert Einstein, in particular, always worked intuitively, starting from a story. The physicist was thinking, for example, of twins. One takes the train, the other finds himself abandoned on the station platform. But they meet again a few years later. “Did they age the same way? Nolan wonders. There is a certain melancholy in the answer to such a question which perfectly illustrates the laws of quantum physics. " The cinema allowed him to find this melancholy, to affix sadness to the apparently mechanical world of science.

Nicolaslabra wrote: ↑

July 24th, 2020, 10:42 pm

how old is Oliver by now ? thats some really tasteful portrait work, may we have a Nolan photographer or cinematographer in our hands ? hehe, it may be just a hobby, but i rarely see hobbyist photographers with that level of taste.

intersteIIarx wrote: ↑

July 24th, 2020, 6:40 pm

Insomniac wrote: ↑

July 24th, 2020, 11:48 am

https://vk.com/doc597271763_560466196?h ... b16483e1ac

I've only skimmed it, but it seems pretty generic.

I’m going though translating it now. It’s funny that this publication has referred to Pattinson as a

“mysterious double agent”

Also like this segment:

“ Nolan's wife and film producer Emma Thomas was immediately struck by the strange way her husband's brain works. "An idea with him is only expressed if he finds a framework to tell it," she says. This was the case for Inception and Interstellar. With Tenet, it was even more painful, maybe ten years, it was a fixed idea. But once he's written his screenplay, he's got his movie in mind, so to speak, down to the frame. When it goes into the editing room, it's even more impressive. He keeps an intact track of every take for every scene. If you have to tell the difference between thirty takes, he will do it with disconcerting ease. "

Christopher Nolan needs a proven routine to manage his memory. He systematically puts his keys in the same pocket. And takes care to conscientiously note his ideas on a notepad. His dress code - a three-piece suit, a white or pale blue shirt, always without a tie -, worn indiscriminately all year round, rain or shine, is part of this meticulous routine. To let his mind wander with the greatest freedom, Nolan has endeavored to automate the material tasks and the most fundamental aspects of his life, like a sizeable equation that, when solved, does not need to be further reviewed.“

And potential allusion to the

clones theory

“he had developed a passion for physics and had been struck by the narrative biases on which some scientists relied. Albert Einstein, in particular, always worked intuitively, starting from a story. The physicist was thinking, for example, of twins. One takes the train, the other finds himself abandoned on the station platform. But they meet again a few years later. “Did they age the same way? Nolan wonders. There is a certain melancholy in the answer to such a question which perfectly illustrates the laws of quantum physics. " The cinema allowed him to find this melancholy, to affix sadness to the apparently mechanical world of science.

DUNKIRKIE wrote: ↑

July 24th, 2020, 11:08 pm

Nicolaslabra wrote: ↑

July 24th, 2020, 10:42 pm

how old is Oliver by now ? thats some really tasteful portrait work, may we have a Nolan photographer or cinematographer in our hands ? hehe, it may be just a hobby, but i rarely see hobbyist photographers with that level of taste.

yes he is good