Tenet's Cinematography
Interstellar is gorgeous - but Tenet is on a whole ‘nother level.
That sweet 65mm film with a talented DOP like Hoyte...
That sweet 65mm film with a talented DOP like Hoyte...
Fuck off guys
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July 2020
Guys How is tenet cinematography compared to HvH previous works for example SPECTRE??..since both has same genre (spy-action)
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July 2017
Apperantly the delay and extra month of post production allowed Nolan to cut the 570 and 1570 prints using the original negative. On the way now to Ft Lauderdale to see it on 1570. This is going to be mind blowing in full uncompressed resolution and analog color.
Not even comparable in my opinion. A whole different world.Pablo michel wrote: ↑August 31st, 2020, 4:03 pmGuys How is tenet cinematography compared to HvH previous works for example SPECTRE??..since both has same genre (spy-action)
It seems like they had to play it "safe" for bond. What Hoyte does with the IMAX cameras is just incredible. Oscar nomination almost guaranteed but who wins in the end is always like playing lottery. DUNE will definitely be gorgeous but we will just have to wait and see.
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Now that I have seen it on IMAX 70mm and Xneon, the pure analog process looks much better. The photochemical color grading especially in the red room/blue room scene is most notícienle. The red room in Xneon had muddy colors and contrast.
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December 2019
Interstellar and Dunkirk look far better to me, tho I got to see them in real imax
No *major* spoilers
No *major* spoilers
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December 2016
AgreedDarkChocolateOreo wrote: ↑September 3rd, 2020, 5:33 amInterstellar and Dunkirk look far better to me, tho I got to see them in real imax
No *major* spoilers
Eh I definitely wouldn’t agree. I wasn’t that impressed by the look of the cinematography. Although the work behind the visuals was certainly impressive. Dunkirk is still his best work on a Nolan film IMO.
I’d love to see Nolan worth with Linus Sandgren (La La Land, No Time To Die).