good interview, thanks for posting
Tenet's Cinematography
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Indeed we do, it seems Hoyte was always a fan, and is getting a little too comfortable with it.hotsauce32 wrote: ↑July 4th, 2020, 3:20 pmAnyone remember the fuss about "The Cone" from the TDKR days?
What is the point of the cone?
if i remember correctly, it was around the time of the shooting of Rises, we where getting quite a few set photos and footage, but we where really eager to speculate about the plot, so much so that people jokingly started speculating from a pic of some cones in the street from one of the locations, that maybe the cones where a key plot point, the joke came back a couple of months ago from a photo in the Estonia set, and thats it really.
For you guys who are really into cinematography and have more knowledge about it than I do, what do you think of JDW’s skin tone in the trailers? I know trailers aren’t the best indicators of the complete look of a film but it’s all we have to go on currently.
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It's for delineating certain boundaries in the filming process like for safety purposes etc
that's exactly what they want you to think!dragon_phoenix wrote: ↑July 9th, 2020, 7:06 pmIt's for delineating certain boundaries in the filming process like for safety purposes etc
i feel Tenet is so far the most consistent looking nolan film between trailers, looking back on the older trailers (inception/tdkr/interstellar) all the trailers seem to vary quite a bit in terms of color grading, in the final color timing they seem to always push the red on the skin tones, Dunkirk being an exception, but i feel they will keep the metal tone-greenish colors in the final version for Tenet aswell.Joshua Strong wrote: ↑July 9th, 2020, 6:57 pmFor you guys who are really into cinematography and have more knowledge about it than I do, what do you think of JDW’s skin tone in the trailers? I know trailers aren’t the best indicators of the complete look of a film but it’s all we have to go on currently.
