Inversion is slowly becoming my favourite track. Such a great build up before he goes out of the airlock. At 2:52 it really hits!
Ludwig Göransson will compose Tenet
It's interesting that many are pointing out similarities with previous Zimmer/Nolan-tracks, and even if these comparisons are fair, I never thought about them, even after listening to the OST several times already. I think I have a "good ear", so I'm not saying I can't hear those similarities, but the way the whole thing is constructed and presented throughout the film makes it its own thing. To me the OST - and thus, the movie - has a very unique atmosphere that I cannot compare to any other Nolan-flick.
I agree that "experimenting" with new collaborators (composer, editor) on a project of this magnitude might sound like a bit of a gamble, but... you have to start somewhere, right? I am glad Nolan changed things up a bit, even if it is a disappointment for some (I have my issues with the editing in a couple of places, but I can live with it... I mean, I don't have another choice, right?). I think it's important to move on, to "evolve". I don't mind Göransson working on the project at all, and, as I already explained, I love the music in this, wouldn't exchange it for Zimmer.
I agree that "experimenting" with new collaborators (composer, editor) on a project of this magnitude might sound like a bit of a gamble, but... you have to start somewhere, right? I am glad Nolan changed things up a bit, even if it is a disappointment for some (I have my issues with the editing in a couple of places, but I can live with it... I mean, I don't have another choice, right?). I think it's important to move on, to "evolve". I don't mind Göransson working on the project at all, and, as I already explained, I love the music in this, wouldn't exchange it for Zimmer.
wally also delivered high levels of formality / consistency that we -ahem- have not had sinceVader182 wrote: ↑September 8th, 2020, 2:08 amI'm not disappointed per se (I've had the OST on repeat as it's very much my shit in general, it's overall very great) but I do think Nolan tackling his most ambitious project with new collaborators in editing and scoring was a mistake.SINCEPTION wrote: ↑September 8th, 2020, 1:15 amIs it just me to be disappointed overall by the soundtrack? There are only two tracks that really impressed me.
Frankly, it exposes how much Nolan has relied on Zimmer and Lee Smith to help craft emotional through-lines and visual clarity in his movies for him, especially due to his ultra-loose two takes and check the gate shooting style.
-Vader
but yea your film is only as good as your crew
Whoa! Best news of the day! Pre-ordered!
Im wondering if the "Turnstile" track could be the part we are missing That would make me really happy.
And how about that Fast Cars part?
Im wondering if the "Turnstile" track could be the
And how about that Fast Cars part?
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December 2019
Whaaaaat? I hope that will change or wrong info, because that track needs to be there!