Nolan Fans

In recent months, Göransson has also been putting his finishing touches on the score for Christopher Nolan’s Tenet—the blockbuster that everyone has been waiting to see, which has had its theatrical release delayed several times over, as a result of the coronavirus pandemic. “I had started on it a year ago, so I was pretty deep into it, and fortunately for everyone, we were able to finish it,” he says. “Most of the music that we created for this movie was music that I could do at my studio and in my computer. I actually brought my studio with me back home, and worked from my bedroom for three months, and it did work out really well.”

Certainly, the composer has had a once-in-a-lifetime experience with Tenet, in more ways than one. Not many composers can say they’ve completed a score in the midst of a pandemic—but then again, who would want to? “It’s definitely been interesting to see how it all develops, and out of everything I’ve worked on, this is definitely an experience that you need to have in the theater. It seems like they’re opening up the theaters internationally first, and I think people need something like this right now. They need to watch something and experience something, to also be able to kind of get away for a little bit,” Göransson says, “and every time I’ve seen this movie, it just blows me away. There’s so many levels to it, and so much to take in. I can’t wait to see how people react to it.”

Starring Robert Pattinson and John David Washington, the film is now set to open overseas in August ahead of its U.S. debut. For Göransson, the takeaway from working with one of the great masters of cinema was to see for himself how much Nolan understands about music. “I know from watching his films how savvy he is with music, how much he understands it, but I didn’t fully know that he could speak about it almost like a trained musician. So, I was blown away by that. And also, just the way that he’s open with experimentation, and pushes me to really try out new things, and things that I maybe would think that people want to hold off on,” he says. “This was like, ‘Let’s try it and see how it works,’ and it was an eye-opening experience.”

nolannolanchrischris wrote: ↑

August 11th, 2020, 12:11 pm

In recent months, Göransson has also been putting his finishing touches on the score for Christopher Nolan’s Tenet—the blockbuster that everyone has been waiting to see, which has had its theatrical release delayed several times over, as a result of the coronavirus pandemic. “I had started on it a year ago, so I was pretty deep into it, and fortunately for everyone, we were able to finish it,” he says. “Most of the music that we created for this movie was music that I could do at my studio and in my computer. I actually brought my studio with me back home, and worked from my bedroom for three months, and it did work out really well.”

Certainly, the composer has had a once-in-a-lifetime experience with Tenet, in more ways than one. Not many composers can say they’ve completed a score in the midst of a pandemic—but then again, who would want to? “It’s definitely been interesting to see how it all develops, and out of everything I’ve worked on, this is definitely an experience that you need to have in the theater. It seems like they’re opening up the theaters internationally first, and I think people need something like this right now. They need to watch something and experience something, to also be able to kind of get away for a little bit,” Göransson says, “and every time I’ve seen this movie, it just blows me away. There’s so many levels to it, and so much to take in. I can’t wait to see how people react to it.”

Starring Robert Pattinson and John David Washington, the film is now set to open overseas in August ahead of its U.S. debut. For Göransson, the takeaway from working with one of the great masters of cinema was to see for himself how much Nolan understands about music. “I know from watching his films how savvy he is with music, how much he understands it, but I didn’t fully know that he could speak about it almost like a trained musician. So, I was blown away by that. And also, just the way that he’s open with experimentation, and pushes me to really try out new things, and things that I maybe would think that people want to hold off on,” he says. “This was like, ‘Let’s try it and see how it works,’ and it was an eye-opening experience.”

https://deadline.com/2020/08/the-mandal ... 203007648/