Wasn't there supposed to be a Travis Scott interview?
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I thought the scene with Kat and the Protagonist at dinner was very emotional. It's actually one of my favorite moments, and it's definitely my favorite track from the score. "Cringey" dialogue is something I've come to expect from Nolan's films, and I honestly kind of love it.Retskrad wrote: ↑September 18th, 2020, 9:40 amI have watched this movie 5 times in the theater and I would’ve loved to see it a couple of more times because the soundtrack and action sequences are amazing and the cinematography is beautiful but I honestly can’t handle the cringey dialogue that was written for Kat and Sator.
I physically cringe harder and harder at every new viewing every time Kat mentions her son every other line or Sator talking like a corny villain from the 1950’s that we’ve already seen a million times before and laughed at.
At the 5th time I had to look away from the screen when Kat and The Protagonist have their conservation in the dinner scene where she says Sator is controlling her and the cliche music kicks in. Or when Sator says with a cartoonish accent that if he can’t have her, no one else can. Oh god, it’s all so bad.
marshallmurphy wrote: ↑September 19th, 2020, 9:22 amI thought the scene with Kat and the Protagonist at dinner was very emotional. It's actually one of my favorite moments, and it's definitely my favorite track from the score. "Cringey" dialogue is something I've come to expect from Nolan's films, and I honestly kind of love it.Retskrad wrote: ↑September 18th, 2020, 9:40 amI have watched this movie 5 times in the theater and I would’ve loved to see it a couple of more times because the soundtrack and action sequences are amazing and the cinematography is beautiful but I honestly can’t handle the cringey dialogue that was written for Kat and Sator.
I physically cringe harder and harder at every new viewing every time Kat mentions her son every other line or Sator talking like a corny villain from the 1950’s that we’ve already seen a million times before and laughed at.
At the 5th time I had to look away from the screen when Kat and The Protagonist have their conservation in the dinner scene where she says Sator is controlling her and the cliche music kicks in. Or when Sator says with a cartoonish accent that if he can’t have her, no one else can. Oh god, it’s all so bad.
The scene overall reminded me of the Macau scene in Skyfall (maybe even paid homage to it, in a way), though this scene is without any cringe:
Severine: Can you kill him?
Bond: Yes.
It's without cringe until you remember she is a ex-child sex slave and he then rapes her in the shower...MuffinMcFluffin wrote: ↑September 19th, 2020, 10:22 ammarshallmurphy wrote: ↑September 19th, 2020, 9:22 amI thought the scene with Kat and the Protagonist at dinner was very emotional. It's actually one of my favorite moments, and it's definitely my favorite track from the score. "Cringey" dialogue is something I've come to expect from Nolan's films, and I honestly kind of love it.Retskrad wrote: ↑September 18th, 2020, 9:40 amI have watched this movie 5 times in the theater and I would’ve loved to see it a couple of more times because the soundtrack and action sequences are amazing and the cinematography is beautiful but I honestly can’t handle the cringey dialogue that was written for Kat and Sator.
I physically cringe harder and harder at every new viewing every time Kat mentions her son every other line or Sator talking like a corny villain from the 1950’s that we’ve already seen a million times before and laughed at.
At the 5th time I had to look away from the screen when Kat and The Protagonist have their conservation in the dinner scene where she says Sator is controlling her and the cliche music kicks in. Or when Sator says with a cartoonish accent that if he can’t have her, no one else can. Oh god, it’s all so bad.
The scene overall reminded me of the Macau scene in Skyfall (maybe even paid homage to it, in a way), though this scene is without any cringe:
Severine: Can you kill him?
Bond: Yes.
I also phsyically cringe when your mom brings you up.Retskrad wrote: ↑September 18th, 2020, 9:40 amI have watched this movie 5 times in the theater and I would’ve loved to see it a couple of more times because the soundtrack and action sequences are amazing and the cinematography is beautiful but I honestly can’t handle the cringey dialogue that was written for Kat and Sator.
I physically cringe harder and harder at every new viewing every time Kat mentions her son every other line or Sator talking like a corny villain from the 1950’s that we’ve already seen a million times before and laughed at.
At the 5th time I had to look away from the screen when Kat and The Protagonist have their conservation in the dinner scene where she says Sator is controlling her and the cliche music kicks in. Or when Sator says with a cartoonish accent that if he can’t have her, no one else can. Oh god, it’s all so bad.
sees movie 5 timesRetskrad wrote: ↑September 18th, 2020, 9:40 amI have watched this movie 5 times in the theater and I would’ve loved to see it a couple of more times because the soundtrack and action sequences are amazing and the cinematography is beautiful but I honestly can’t handle the cringey dialogue that was written for Kat and Sator.
I physically cringe harder and harder at every new viewing every time Kat mentions her son every other line or Sator talking like a corny villain from the 1950’s that we’ve already seen a million times before and laughed at.
At the 5th time I had to look away from the screen when Kat and The Protagonist have their conservation in the dinner scene where she says Sator is controlling her and the cliche music kicks in. Or when Sator says with a cartoonish accent that if he can’t have her, no one else can. Oh god, it’s all so bad.
Agreed. This scene is great. Debecki sells it.marshallmurphy wrote: ↑September 19th, 2020, 9:22 am
I thought the scene with Kat and the Protagonist at dinner was very emotional. It's actually one of my favorite moments, and it's definitely my favorite track from the score.
Let's pretend for the moment the line doesn't feel incredibly cheesy, and look at it from Nolan's point-of-view as a writer and think about why he possibly included it.
pls fly me in on a 747...KEM wrote: ↑September 17th, 2020, 3:45 pmYou’ll get there one day!!! Maybe we could all band together to smuggle you into the US for a viewing...Nicolaslabra wrote: ↑September 17th, 2020, 3:00 pmsee now you`re just flexing on me KEM, pls have mercy.
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Guys, you have to remember that Sator is a middle-aged Russian boomer who got his money in an old-fashioned way of smuggling arms and nuclear materials. He's not speaking his native language too. of course, his manner of speech is going to be corny af.