okungnyo wrote:
Dunkirk's Cinematography
If Nolan were to do a Bond film, I think I'd rather have Pfister for cinematography. Hoytema did well with Spectre, but I feel like Pfister fits the style of Bond better. Just my thoughtsCilogy wrote:> Pfister
Hardy in foreground and plane on fire in middle with Germans approaching in top of frame.
The best shot in any Nolan film and among the finest captured in cinema.
The best shot in any Nolan film and among the finest captured in cinema.
Pity that the film didn't end with that shot. That was the perfect shot to end the film with due to it's symbolism. The following 4 seconds made almost no sense after that shot.MyCocaine wrote:Hardy in foreground and plane on fire in middle with Germans approaching in top of frame.
uhh you're missing the point of the juxtaposition of those final two images.
No I'm not. I just find the return to the last shot unnecessary. It really took me out of a perfect ending. I expected the credits to roll after that gorgeous shot with the plane in flames. Perfection would have been.
That plane image becomes even greater and more thematically complex after the final shot.
I would've loved it more if
I agree with this.Bacon wrote:I would've loved it more if
Think Spider-Man 2 (ending spoilers, I guess).
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I agree i thought inception was exceptional .Bond would suit that kind of imagery. Where is pfister these days?CoMeT wrote:If Nolan were to do a Bond film, I think I'd rather have Pfister for cinematography. Hoytema did well with Spectre, but I feel like Pfister fits the style of Bond better. Just my thoughtsCilogy wrote:> Pfister