PREMIERE : In the prologue, there is this very impressive shot where we see the port from very high. Almost God’s point of view of God. Somewhat like giving the plan of the labyrinth and the rules of the game. "That's where everything is going to play ...". In your movies places often refer to the psychology of a character.
NOLAN : Geography is an essential aspect of storytelling, it's true. We tell so many things by anchoring a story in a place... It isn’t by accident that « Heart of Darkness » by Conrad is one of my favorite novels. It’s the purest form of geography and storytelling. Conrad never repeats himself, he sinks gradually into the depths of the human mind. Is it an inward journey or a trip out of oneself ? That's the real question Conrad is asking. And « 2001 » ! And Dante ! How to tell the trip ? This is the main question of cinema ; In any case the one that fascinates me the most. And when we care about place and geography in its relation to intrigue, then the analogy with the soul and the mind becomes obvious. « Dunkirk » speaks about a very special place that evokes the Bible squarely. In May 1940, the English were the Jews driven out of Egypt and driven back by the Red Sea. And in a Judeo-Christian civilization it adds a very strong level of mythology.
PREMIERE : Did you rewatch the 1958 movie directed by Leslie Norman?
NOLAN : No. I didn’t even know its existence before launching the production of « Dunkirk ». As soon as I began to find out seriously about the events, this movie quickly reappeared. But I didn’t want to rewatch it. One of the reasons why I wanted to tell this story is that I thought it had to be told in a modern way, for the today’s audience. I needed to think about movies that focus on specific situations. Hitchcock, Clouzot ...
PREMIERE : Clouzot ?
NOLAN : Yes. « The Wages of Fear ». Most of the crew didn’t understand why I was screening them this movie. But it was the one that made the most sense. Pure suspense. Which talks about mechanics, procedure and physical difficulties. Look at the scene where the truck has to go back on the platform and the wheels doesn’t respond anymore ... That's what I had to look for « Dunkirk » ! I wanted to show how you bring a truck on the jetty, what happens when the tires don’t pass, when the wheels no longer respond. Pure physics.
TBC...
NOLAN : Geography is an essential aspect of storytelling, it's true. We tell so many things by anchoring a story in a place... It isn’t by accident that « Heart of Darkness » by Conrad is one of my favorite novels. It’s the purest form of geography and storytelling. Conrad never repeats himself, he sinks gradually into the depths of the human mind. Is it an inward journey or a trip out of oneself ? That's the real question Conrad is asking. And « 2001 » ! And Dante ! How to tell the trip ? This is the main question of cinema ; In any case the one that fascinates me the most. And when we care about place and geography in its relation to intrigue, then the analogy with the soul and the mind becomes obvious. « Dunkirk » speaks about a very special place that evokes the Bible squarely. In May 1940, the English were the Jews driven out of Egypt and driven back by the Red Sea. And in a Judeo-Christian civilization it adds a very strong level of mythology.
PREMIERE : Did you rewatch the 1958 movie directed by Leslie Norman?
NOLAN : No. I didn’t even know its existence before launching the production of « Dunkirk ». As soon as I began to find out seriously about the events, this movie quickly reappeared. But I didn’t want to rewatch it. One of the reasons why I wanted to tell this story is that I thought it had to be told in a modern way, for the today’s audience. I needed to think about movies that focus on specific situations. Hitchcock, Clouzot ...
PREMIERE : Clouzot ?
NOLAN : Yes. « The Wages of Fear ». Most of the crew didn’t understand why I was screening them this movie. But it was the one that made the most sense. Pure suspense. Which talks about mechanics, procedure and physical difficulties. Look at the scene where the truck has to go back on the platform and the wheels doesn’t respond anymore ... That's what I had to look for « Dunkirk » ! I wanted to show how you bring a truck on the jetty, what happens when the tires don’t pass, when the wheels no longer respond. Pure physics.
TBC...