I said the Academy hates doing it, not that they would never do it.DudeBro wrote:Sorry, but this just isn't that great. What about Arrival this year? Sci-fi....okungnyo wrote:So...Hacksaw Ridge (2016) got six Oscar nominations, which does not bode well for Dunkirk's Oscar chances.
The Academy hates giving Big Five nominations to blockbusters from the same genre two years in a row: ("Big Five" = the prestigious categories: Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted/Original Screenplay)
2013: sci-fi (Gravity)
2014: war (American Sniper), NO to sci-fi (which explains the Interstellar snub)
2015: sci-fi (The Martian)
2016: war (Hacksaw Ridge)
2017: NO to war
See how there's always an off-year between the same genres?
The July 21, 2017 release date won't help, because of "recency bias" (Oscar voters being more likely to vote for movies released in November/December because they're fresher in their minds).
Hell or High Water (2016) got only four nominations, despite having universal acclaim (96% on Rotten Tomatoes and 88 on Metacritic).
And all because of that release date; because it was released in August and not the more favorable November/December.
Sucks that the Oscars are like this, but that's how it is.
(Sorry for that over-analysis/rant. I guess I'm still sore from the Interstellar snub.)
Besides, Arrival is a mid-budget ($47 million) slow burn sci-fi drama.
Gravity/Interstellar/The Martian, on the other hand, are big-budget ($100/165/108 million) space action movies.
When I wrote "sci-fi" in my previous post, I was more referring to the "space action" type. "Sci-fi" is too broad of an umbrella.
But I do get your point. Let's hope that the Academy voters see enough difference in Dunkirk to set it apart from Hacksaw Ridge.