Directors,
Some of you are having some problems with producing your segment. Please tell me (in this topic) all things you are strugling with. We can all start searching for a solution. I know some of you said your problems before, but all in diferent topics, so let's just keep them here.
Next thing, some advise!
If you have trouble motivating your crew/cast, start with something simple. Start with the interrogation room scene. You have little preperation for that. All you need is a clear wall (prefered grey or white), a desk and your leading actor. Once you've got this scene straight, everyone will get his/her motivation to complete the film. Besides that, the interrogation scene is the core of the movie. It's easier to complete that first.
Oh and by the way, the officer is going to be the same voice actor, every segment. If it is easier for you and your actor to have someone say the lines of the officer out loud there, you can. But we will change the voice of him during the editing. Therefor you don't need to cast an officer.
Good luck!
Some of you are having some problems with producing your segment. Please tell me (in this topic) all things you are strugling with. We can all start searching for a solution. I know some of you said your problems before, but all in diferent topics, so let's just keep them here.
Next thing, some advise!
If you have trouble motivating your crew/cast, start with something simple. Start with the interrogation room scene. You have little preperation for that. All you need is a clear wall (prefered grey or white), a desk and your leading actor. Once you've got this scene straight, everyone will get his/her motivation to complete the film. Besides that, the interrogation scene is the core of the movie. It's easier to complete that first.
Oh and by the way, the officer is going to be the same voice actor, every segment. If it is easier for you and your actor to have someone say the lines of the officer out loud there, you can. But we will change the voice of him during the editing. Therefor you don't need to cast an officer.
Good luck!
David emerges from the store slowly. He braces himself against a parked car and then keeps on walking in a nightmarish daze.
WE PULL BACK as David blends in with dozens and dozens of ordinary people, walking on an ordinary street, in an ordinary city.
WE PULL BACK as David blends in with dozens and dozens of ordinary people, walking on an ordinary street, in an ordinary city.
