Have anyone noticed that in EVERY Nolan film has a female death involved in some kind of way, no matter how big or how small? And each death has a huge significance to the story at hand? Is that just a coincidence or is that his trademark in his films?
A NOLAN TRADEMARK OR MERE COINCIDENCE???
Posts: 255
Joined:
May 2010
I've thought about it and yes i think it does. I noticed that each time i saw a Nolan movie and i just thought 'damn, he maybe just doesn't think of the women as the better sex'. Most of his female roles are kind of mixed and untrustworthy (Natalie, the chick from Following, Sarah from Prestige). Rachel is in no case likeable neither in Begins nor in TDK. Nolan rarely gives much time or attention to female characters at all I think. Or if he does, they're antiheroes.gluvnast wrote:Have anyone noticed that in EVERY Nolan film has a female death involved in some kind of way, no matter how big or how small? And each death has a huge significance to the story at hand? Is that just a coincidence or is that his trademark in his films?
WOW
Good thinking
Following
Memento
Insomnia
BB
The prestige
TDK
Damm now im worried for Ellen Page and Marion CAllard.
Good thinking
Following
Yeah. But then he made up for it by all the men he killed in TDK.
Maybe he has the Woody Allen syndrome. Tho it doesn't look like he does.
I highly doubt Nolan hates women. And I think Rachel's final moments in TDK show what a brave and strong woman she was - her last thoughts weren't for herself, they were for Harvey. In fact, I disagree entirely that women are always untrustworthy in his films - if anything, they tend to be either incorruptible or femme fatales like Natalie, which fits Nolan's liking for film noir tropes.prince0gotham wrote:I've thought about it and yes i think it does. I noticed that each time i saw a Nolan movie and i just thought 'damn, he maybe just doesn't think of the women as the better sex'. Most of his female roles are kind of mixed and untrustworthy (Natalie, the chick from Following, Sarah from Prestige). Rachel is in no case likeable neither in Begins nor in TDK. Nolan rarely gives much time or attention to female characters at all I think. Or if he does, they're antiheroes.gluvnast wrote:Have anyone noticed that in EVERY Nolan film has a female death involved in some kind of way, no matter how big or how small? And each death has a huge significance to the story at hand? Is that just a coincidence or is that his trademark in his films?
You can also turn it around, and count how many male characters die in Nolan films? a lot.
More men die (in more brutal ways) than women in his movies.
Posts: 255
Joined:
May 2010
the point i was making is that all the female's death serves as a HUGE purpose for the film itself. most of the men's deaths were collatoral damage.Eternalist wrote:More men die (in more brutal ways) than women in his movies.
Because having a death is more tragic and causes more character ambition, since all of his films have male leads the victim is a woman.
If he was to make a movie with a female lead, odds are the victim will be a male.
If he was to make a movie with a female lead, odds are the victim will be a male.