Rush (2013)

All non-Nolan related film, tv, and streaming discussions.
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Ron Howard rises.

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Alberto wrote:Am I the only one who's not really interested in this?.. :?
Same, I think it's just because of the subject material.

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11072014 wrote:
Alberto wrote:Am I the only one who's not really interested in this?.. :?
Same, I think it's just because of the subject material.
Me too.

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I found this from AW:
Yeah. That was pretty fantastic. Got a few thoughts on the movie (obviously don't change any of your predictions because of this).

As long as they can get over the fact that this is a formula 1 movie - which really won't impact your enjoyment of this film AT ALL - this really should play perfectly with AMPAS. I think I read one criticism that there wasn't really any depth to the film, and whilst that may hold some degree of truth.... neither did Argo. Off the track, Bruhl and Hemsworth share some great moments and are fantastic working off each other and the portrayal of this rivalry between Hunt and Lauda meant that the film didn't really need any deeper meaning. On the track, Howard directs the hell out of this. The centerpiece racing scene - which lasts a good 6/7 minutes - is brutally intense and and there are a fair few other moments which are just beautifully shot by Mantle. Would not be surprised at all if this gets a cinematography nomination.. Peter Morgan's screenplay is also excellent and the score is actually fairly subtle for Hans Zimmer, it's great but I'm not sure it will get a nom, especially with Zimmer also scoring 12YAS.

As for the performances.. I've seen the reviews suggesting Bruhl is the co-lead of the film, but really... he IS the lead. I don't just mean that in terms of the fact he overshadows Hemsworth's performance (who is admittedly good in his role), or the fact he gets the baitier role (with the crash, transformation etc) but also, in terms of the fact that HE IS the actual lead. I mean, he narrates the opening scenes AND closing scene of the film and he gets a fair bit more screen time than Hemsworth. If he does in fact go supporting, it is pretty comparable to Waltz in Django, and I'd also make him a lock for a nomination. Lead or not.. Bruhl is great in this.

On the female side, I know a lot of you were curious about Dormer's role but really she's only in two scenes (one of which is a sex scene) and then inexplicably disappears for the rest of the film, seemingly being used more as a narrative device to emphasize how Hunt goes through a different girl every week, than having any form of an actual character. Wilde is pretty similar with an extra scene or two but she really does nothing other than play the classic hot blonde, model wife role that she's been playing for years, admittedly this time in a better movie. The standout female performance is pretty comfortably Alexandra Maria Lara who is charming as Lauda's wife but she's not getting anywhere an oscar nomination.

As of now I'd predict it for:

Best Picture
Best Original Screenplay (Peter Morgan)
Best Supporting Actor (Daniel Bruhl)
Best Cinematography
Best Editing/Sound Editing
Best Makeup

But I wouldn't be at all surprised if AMPAS really goes for this and Howard gets a directing nomination. I'll probably have him 7th in my predictions after seeing this.

Overall: 9/10.

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Im so glad this is getting fantastic reviews. This is one of my most anticipated

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Glad Hems is getting just as much praise as Bruhl, getting annoyed at those saying he's talentless.

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Jax_Teller wrote:Glad Hems is getting just as much praise as Bruhl, getting annoyed at those saying he's talentless.
I don't think he's talentless, but he's not a great actor either. He has definitely charisma.

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Jax_Teller wrote:Glad Hems is getting just as much praise as Bruhl.
He's not.

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