User of Interest wrote:It's probably the feeling of the scene they're talking about.

Sure but some we're talking about the blue stuff and anyway it isn't the first time people say stuff like this. When they compare Man of Steel or other DCEU visuals people tend to se TDK as a comparision. For some reason.

Guys, the interrogation scene in TDK didn't have a blue tint:

ArmandFancypants wrote:Worth noting that Tony is a vastly more responsible person than he was in the IM films

In retrospect, Tony's place in this film seems like a more serious continuation of the themes that appeared in his relationship with the kid in IM3.

Sure but I wound't compare the stylization of Peter Greenaway's movies to the style of Wes Anderson (specially in a movie like Hotel ), and I wouldn't compare that to something like say, Sin City which blurs the line between cartoon and live-action. Nolan himself has a very particular style and yet ...

I've been thinking around lately. Now that both digital filmmaking and CGI are reaching what we very well may call their apex, and that movies, even ones like David Fincher's modern filmography which are realistic in story content, are using more and more, for the lack of a better word, "animation",...

Fincher's overt stylization isn't always amazing with digital, but the weirder thing is his use of CGI is totally ridiculous. He could be making his movies at half their budget to achieve a similar effect. He just...doesn't. But he'd probably get more projects and have a better chance getting green...

There are only two Universal Monsters I'm interested about and neither has a movie planned.

Fincher's overt stylization isn't always amazing with digital, but the weirder thing is his use of CGI is totally ridiculous. He could be making his movies at half their budget to achieve a similar effect. He just...doesn't. But he'd probably get more projects and have a better chance getting green...

Very itneresting read, Vader. Thanks for the answer.

Filmmakers are learning a new language of movie making without totally realizing that's what they're doing, so some are left behind speaking "broken celluloid" in a half in half out kind of way intsead of continuing to "speak" in film competently OR learning how to "speak" competently through digit...