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The sunlight is coming from the right in the IMAX shots, in this still its high up and to the left, and it has slightly shallower depth of field.AhmadAli95 wrote: ↑December 26th, 2019, 2:19 pmIDK! That shallow depth of field and the focal length is almost identical. Could be an IMAX still - we got one for Dunkirk.
I don’t know why I connected
Well, they aren’t moving in a straight line so sunlight direction might change, plus it could be from a different take.Nicolaslabra wrote: ↑December 26th, 2019, 3:08 pmThe sunlight is coming from the right in the IMAX shots, in this still its high up and to the left, and it has slightly shallower depth of field.
You are right, but the other optical differences make me think its Melinda`s work, ...but i`ve been wrong before...AhmadAli95 wrote: ↑December 26th, 2019, 3:42 pmWell, they aren’t moving in a straight line so sunlight direction might change, plus it could be from a different take.Nicolaslabra wrote: ↑December 26th, 2019, 3:08 pmThe sunlight is coming from the right in the IMAX shots, in this still its high up and to the left, and it has slightly shallower depth of field.
I mean.. same. The photo has an aspect ratio of 1.5:1Nicolaslabra wrote: ↑December 26th, 2019, 4:01 pmYou are right, but the other optical differences make me think its Melinda`s work, ...but i`ve been wrong before...
so, maybe I’m right this time.Very likely yes. This exact shot is not part of the sizzle. But there is one bootleg where JDW's face is not visible at all. Projection itself is off centre.Nicolaslabra wrote: ↑December 26th, 2019, 2:06 pmRemember that this image was probably taken by Melinda Sue Mary, the still photographer for Nolan`s films since Interstellar, this is not the same frame that Hoyte composed, just very similar.blackColumn wrote: ↑December 26th, 2019, 1:22 amA lot of image is cropped on right hand side. As much as JDW's face is not visible in this part of the sizzle reel.
And this looks like 70mm IMAX projection.
Who was the projectionist?
