Legit don’t know if he can make a better film than this and that kinda scares me as a fan. I don’t want everything from this point on to subconsciously not live up to the quality and sharpness of Dunkirk.
And I guess that’s what separates an artist like him from a normal dude like me. Fearless with no real thought of having to outdo yourself. Every experience is in a vacuum.
Legit don’t know if he can make a better film than this and that kinda scares me as a fan. I don’t want everything from this point on to subconsciously not live up to the quality and sharpness of Dunkirk.
And I guess that’s what separates an artist like him from a normal dude like me. Fearless with no real thought of having to outdo yourself. Every experience is in a vacuum.
if his future career is full of movies like TDK-Inception-TDKR-Interstellar-Dunkirk it'll be very good indeed
-Vader
Re: Dunkirk General Information/Discussion
Posted: July 24th, 2018, 4:25 pm
by Sanchez
Yeah, I pray to God they're not as bad as memento or prestige
Re: Dunkirk General Information/Discussion
Posted: July 26th, 2018, 12:41 am
by Master Virgo
Nolan was a god even before The Dark Knight.£
Re: Dunkirk General Information/Discussion
Posted: July 26th, 2018, 12:16 pm
by Tarssauce
I've seen this film exactly one year ago today.
My very first Nolan theatrical experience and I came out shaking because how intense it was. An absolute masterpiece and it's competing with Interstellar as my favorite Nolan film.
Re: Dunkirk General Information/Discussion
Posted: August 9th, 2018, 3:15 pm
by CoolwhipSpecial
Pretty much agree on all points, although I ended up liking it more than he did.
Re: Dunkirk General Information/Discussion
Posted: August 9th, 2018, 5:25 pm
by Pioneerr
The shooting on location and refusal to use CGI are painfully true.
Since his breakout indie hit “Memento,” Christopher Nolan has played with notions of time, scrambling his movies’ chronology and creating densely layered narratives that barely skirt utter incomprehensibility. With this interpretive history of the World War II evacuation of Allied forces, Nolan deconstructs the time frame, doing away with linear narrative in favor of a sensory experience that is immersive and empathic. As an exercise in sound and image, “Dunkirk” achieved a purity rarely seen in contemporary commercial cinema, simultaneously returning movies to their roots and pushing them forward.