Noobie wrote:Copied from IMDB trivia(which contains a lot of hidden details),dunno if it is a moment to be missed:

The slow, gloomy, blaring trombones in the main theme of the film score are actually based on an extremely slowed down version of the fast, high pitched trumpets in the beginning of the Édith Piaf song "Non, je ne regrette rien," which is used as a plot device in the film. Furthermore, when music is heard by someone who is currently within a dream, the music is perceived as slowed down. Thus, the main theme of the film score is almost exactly what the beginning of "Non, je ne regrette rien" would sound like to a dreamer. This thematic device is brought to its logical conclusion when the song plays at the end of the credits, signaling that the audience is about to 'wake up' from the film.

Mason wrote: Yeah, I assume that's pretty well know around here.

Noobie wrote:Any truth in this line ?This is when cobb jumps off the floor in the first scene of Mombasa chase ,when a man says

You are not dreaming here .Are you?

madcowre wrote:

Noobie wrote:Any truth in this line ?This is when cobb jumps off the floor in the first scene of Mombasa chase ,when a man says

You are not dreaming here .Are you?

I thought he said; 'You're not dreaming now, are you?'

To indicate that he couldn't hide/survive when they try to kill him...because it was real life.

Meraxes wrote:And that goon must have actually dreamt about saying that to Cobb if he ever met him in real life

the_red_ninja wrote:Level 2, in the hotel, Ariadne's dress suit is almost a replica of the air hostess' uniform on the plane. Ariadne also has an up-hairdo.

Noobie wrote:Copied from IMDB trivia(which contains a lot of hidden details),dunno if it is a moment to be missed:

The slow, gloomy, blaring trombones in the main theme of the film score are actually based on an extremely slowed down version of the fast, high pitched trumpets in the beginning of the Édith Piaf song "Non, je ne regrette rien," which is used as a plot device in the film. Furthermore, when music is heard by someone who is currently within a dream, the music is perceived as slowed down. Thus, the main theme of the film score is almost exactly what the beginning of "Non, je ne regrette rien" would sound like to a dreamer. This thematic device is brought to its logical conclusion when the song plays at the end of the credits, signaling that the audience is about to 'wake up' from the film.

author wrote:

Noobie wrote:Copied from IMDB trivia(which contains a lot of hidden details),dunno if it is a moment to be missed:

The slow, gloomy, blaring trombones in the main theme of the film score are actually based on an extremely slowed down version of the fast, high pitched trumpets in the beginning of the Édith Piaf song "Non, je ne regrette rien," which is used as a plot device in the film. Furthermore, when music is heard by someone who is currently within a dream, the music is perceived as slowed down. Thus, the main theme of the film score is almost exactly what the beginning of "Non, je ne regrette rien" would sound like to a dreamer. This thematic device is brought to its logical conclusion when the song plays at the end of the credits, signaling that the audience is about to 'wake up' from the film.

So then, Mal didn't commit suicide, she just left the theater?