Almost forgot about my own (amazing) thread.
Some with The Dark Knight in mind;
Sam Mendes:
"In terms of what [Nolan] achieved, specifically ‘The Dark Knight,’ the second movie, what it achieved, which is something exceptional. It was a game changer for everybody," he explained about how it influenced his approach.
"We’re now in an industry where movies are very small or very big and there’s almost nothing in the middle," he continued. "And it would be a tragedy if all the serious movies were very small and all the popcorn movies were very big and have nothing to say. And what Nolan proved was that you can make a huge movie that is thrilling and entertaining and has a lot to say about the world we live in, even if, in the case with ‘The Dark Knight,’ it’s not even set in our world. If felt like a movie that was about our world post-9/11 and played on our fears and discussed our fears and why they existed and I thought that was incredibly brave and interesting. That did help give me the confidence to take this movie in directions that, without ‘The Dark Knight,’ might not have been possible. Because also, people go, ‘Wow, that’s pretty dark,’ but then you can point to ‘Dark Knight’ and go ‘Look at that – that’s a darker movie, and it took in a gazillion dollars!’ That’s very helpful. There’s also that thing – it’s clearly possible to make a dark movie that people want to see."
Gareth Edwards:
“When I’ve watched The Dark Knight more analytically, as a filmmaker, I’ve noticed things that go against the way we’re supposed to do them. Like there’s music throughout that movie, yet they pull it right out during the really intense chase scenes and it has a strange effect of making those moments really grounded and believable and more exciting. It’s stuff like that that really sets it apart from other blockbusters. And I’m really pleased the movie was such a success because never again can a studio underestimate the audience.”
Drew Goddard:
“The greatest villain of all time is The Joker – he always has been and I don’t know anyone who’s not going to have Heath Ledger’s performance burnt into their brains for the rest of their lives. And the thing about Chris that I admire so much is that he’s not afraid to talk up to the audience, rather that down to the audience. He makes a gorgeous film; he makes an elegant and intelligent film, and that’s the sort of thing that they didn’t used to do with the superhero genre.”
Zack Snyder:
“What Chris did with that movie was he made our mythology mean something to us. Batman is no longer a man in a suit. He’s us. But it’s not a repeatable thing, as far as tone and mood go. The Dark Knight Rises can be that again, but other superhero movies can’t because they don’t have the balls. That tone is transcendent. That’s a movie anyone can see and say, ‘I understand that mythology instantly’”
Rupert Wyatt:
“I think audiences, especially at that particular moment in time, were facing a certain reality check. Foreign wars, a crumbling economy – and the actor who played the villain met a really, premature, tragic death before the movie came out. All of those things combined to make a very zeitgeist film. I referenced it all the time during the making of Apes, in terms of my hopes for people understanding the idea was to make a film that really dealt with our world. Warner Bros. has done a huge amount, especially with that particular film and Christopher Nolan, to make other studios give other filmmakers the opportunity to tell really intelligent, well thought-out character dramas on that kind of scale.”
David Koepp:
"To me, what was most fascinating is I have two teenage boys and watching the reverence with which they saw it, again and again and again. It really is like their generation's Godfather. It is absolutely a seminal film for teenage boys of that and this era. If I told you I knew why, I'd be lying. It's lightning in a bottle, and you can never explain it. Great script, top-level performances... It just completely connected to something."
Adam McKay:
"The Dark Knight is the best superhero movie ever made. I've seen others that try to get all real, and they strip away the fun and the mythology. And then I've seen movies that go too far towards the cartoon aspect. But Nolan, with mathematical precision, blended the two. The way he shoots is such a throwback, and yet so modern. He's using old-fashioned techniques with modern ideas. Amazing."
Peter Berg:
"Christopher Nolan has a very special skillset. He's just got an eye and a unique tone — I mean, he had it starting with Memento and he hasn't really let up. He's a real talent and I think you've gotta look to his creative vision for the success of The Dark Knight. What he did with Heath Ledger just from a make-up and wardrobe standpoint was mesmerising. Christopher Nolan has demonstrated a clarity and a vision that no-one else has with that particular property."
Wes Anderson:
"I enjoy Chris Nolan's work in general, but I watched the Blu-Ray and it has a thing where you can go to any scene in the movie and go to the making of that. There's nothing that has ever made me feel less like a professional than watching Chris Nolan's group at work. The remote-control miniature cars. Just every technique. The rehearsal of flipping the semi-trailer end over end in the middle of the desert before they blow it up in Chicago... There's one scene where a guy jumps off the top of a skyscraper — they rehearse the jump but for the actual thing they did it CG. 'But for the rehearsal you did jump off the building?' 'We have it as a reference.' Wow. Chris Nolan is quite great. My favourite is Memento, but I'd like to learn how to do these things."
There is also another one with Wes Anderson, were praises Nolan as the notable author working with big-budgets, but I couldn't find it now.
I'll translate the more interesting parts.
