George wrote:What do you guys think of his score in The Prestige?
At times I think it really fits nicely, but it also remains frustratingly low-key at other points as well.
My problem is that it isn't really as memorable as the TDK one or the one from Begins, the one from Memento and probably the one from Inception (by what I've heard from the trailers).
The trailer music for Inception isn't going to be part of the film's score (with the exception of the big gong-like sounds).
I had similar issues with the Memento score, though. It works nicely within the context of the film (for the most part), but it never really kicks in when it feels like it should.