Man, this is such a victory lap after the WB fiasco. Love seeing Nolan win such a favorable reception and a ton of cash for such a risky and ambitious project.

Allstar got the biggest W with this film. Hope you enjoyed it wherever you are lol.

Second viewing was pretty magical. Many of the perceived flaws seemed to disappear and I felt even more engaged this time around. Murphy and RDJ felt even more prominent somehow. Both deserve accolades. Safdie's performance seemed to stand out too. Nolan always manages to get these unexpectedly goo...

This is technically well-made and the political messages in it are all great, the plot itself is just so bland/predictable. The thing was like a Disney Channel Original Movie at points. Huge drop in quality from her last two works, but happy she's getting more mainstream attention I guess. Just wish...

My Tuesday matinee showing in the suburbs was practically sold out.

Bacon wrote: ↑

July 23rd, 2023, 1:30 pm

So fucking good.

9/10 probably. Going again this week and curious how it'll play on a rewatch.

It played even better.

Give Jen Lame the Oscar.

Problem is I look at Nolan films more critically than others the first time. Definitely need to rewatch in actual 70mm IMAX with a more relaxed mind and I can probably see what y'all are talking about. I feel you. The first watch I was taking it all in and adjusting to the structure and rhythm, and...

I keep seeing comments all over the internet that it's a "culmination of everything Nolan's done so far" and I guess you could say that at any given moment for whatever film Nolan is promoting, but I don't know if I connect to it at the moment. Perhaps it'll change on repeat viewings. I actually un...

We love to see it, man.

We love to see it.

So fucking good.

9/10 probably. Going again this week and curious how it'll play on a rewatch.